in the shade of the shadow

The sky is angry again this morning and the dog tries to climb onto my chest as I lie in bed listening to hail hit the windows.
I know the back entryway will flood for the second time this week, just as I knew when I went to bed last night that I wouldn’t sleep for the third night in a row.
Everything in my house feels damp, including the sheets that wind themselves ’round my legs. It’s been one of those summers, but it seems they are all either too dry or too wet or too hot or too chilly. We want perfection from Mother Nature, and she simply refuses to live up to our standards. I love that about her.
Naughty Kitten went outside early, still-dark early, before the storm hit, and I don’t know where he found shelter. He has a secret life when he walks out the door, I don’t think he travels all that far, but he has hiding places I know nothing about, and I will let him keep it that way. He doesn’t mind getting wet in the rain, and he’s not really afraid of thunderstorms. I love that about him.
It’s the end of another July, a memorable one marked by marriage. That day the weather was perfect, and for that I am grateful.
Water runs and there is never any stopping it. If you try, it finds a new path, around you or over you or under you or through you. Just like life.
My garden keeps growing, my face keeps aging, my fingers keep typing.
The sky is black to the east, but I know the sun can’t hide forever. It’s always out there, shining, burning itself up and out with no concern for those requiring its warmth. I kind of love that, too.
Between the trees, the clouds have formed their own horizon, just beneath a mirage of ocean.
If I liked the water better, I’d pretend to find a boat. But my feet travel best on land, gripping stone and root and hard-packed soil, always climbing.
Today, I thirst for nothing.
Water drips off leaves, and just in that moment before letting go, I see the world I live in.
I see it again in the puddle at my feet, smiling back up at me.
In the distance, I hear more thunder.
.
.
.
what i hold to be true

is that truth is most beautiful when it’s honest
and it almost never is
.
we bury the hard parts, hands scrabbling in hard rock soil
digging a space to place all the real bits
because we can’t bear to smell their lack of perfume
.
my yard is littered with these mounds disguised as anthills
and sometimes when i go outside, i kick them
just to make ants scurry
.
how dare they make food of my truths
feeling so at home amongst the words
i have buried?
.
i tunnel through these thoughts and recognize the folly
.
everything i hold sits in my heart
beneath a layer of crimson glaze
.
i prick my finger on the thorn of a flower
grown past its own revision
.
i let go
i let go
i let go
.
and ten drops of blood stain the thirsty dustbin soil
.
i cover my tracks with the swipe of a heel
sucking sweets through my teeth
remembering the rhythm of unbroken
.
the sun finds my face and claims me
with the scorch
of yet
again
.
.
.
.
beneath the tree of tomorrow

I am listening to silence (which is never quiet), I am listening to summer (pretending to be fall), I am listening to flowers bloom (a whispered symphony).
The sound of bare feet on wood floors, old floors, the kind that have enough character to creak.
Bird song that creeps beneath closed windows, a tea kettle whistling loudly, the hushed rush of clouds rolling by.
Everyone has all the answers.
I cover my ears, preferring my unwisdom, my empty bowl of questions. There are things I enjoy not knowing.
Where the tree frog sleeps at night. If dew is enough to quench a flower’s thirst. Why a book can break my heart, and still, I’ll keep reading.
The truth is, none of it matters. The truth is, my truth is always going to be different than yours, because universal doesn’t mean we have the same eyes. There are no perfect gardens. The all have bugs, unless you kill them with chemicals, and then that’s just a synthetic version of paradise.
By this time of year, it’s hard to find a plant in my garden that has no evidence of damage. Holes chewed by slugs, or grasshoppers, blooms made small and weak by pests that suck the life from their stems, leaves yellowed by lack of nutrient. This is life and we call it less than perfect, not-so-pretty.
We look away.
I use scissors to cut out the worst of the leaves, the dried brown blooms gone to seed.
Afterwards, I think the plants look awkward, fake, lopsided. They were happy to show us their bounty, their scars, their proof of life. Happy to be riddled with this evidence of time.
Life always makes its mark on you. If perfect is the only beauty you can see, you’ll always miss the map of scars leading you back to your heart.
I am listening to silence (which is never quiet). I hold out my wrinkled hand and brush dirt from yesterday’s cheek.
I am dirty, I am tattered, I am smiling.
And my lips are stained by berries.
time will tell

and all you can do is listen
the sound of petals opening is a whisper of countenance
growth is always louder than stasis
rushing headlong into the light can leave you blind
all the answers lie
in the space between seconds
where the song of eternity echoes
two hands one heart
weaving songs of forever
left to dance on the wind
of intention
.
.
.
the language of flowers {5}

.
something old
something new
something borrowed
something blue
.
all to say
that i love you
.
a cinderella story

she wore crinoline and ruffles
tacked on with sap and honey
earrings made from dewdrops
and a necklace of morning glory vine
(each leaf a green heart of forgiveness)
she danced with the whirl and the twirl
of a long lost travelling gypsy
(which is to say she was barefoot)
and the music called forth
by the bells on her ankles
echoed throughout the hall
and the prince
(oh, the prince!)
how he carried a shoe
on a satin-faced
sleep-wrinkled pillow
offered up with a bow
and a deeply felt flourish
and (of course)
the perfect fit
but she’d already chosen
the sky as her lover
the moon as her (k)night
and so,
in the end
she sipped champagne
from the toe
of a willow bark slipper
raised her arms
with a smile
and invited
each and every
singing soldier
painted lady
purple wallflower
to tango
a path to the door
and her dance card
left behind
(with gratitude)
became a blank-faced
notebook
of possibility
.
.
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